Peter Friedl: Images at War. Peep-Hole Sheet #26

Edition of 350
8 pages
English
broadsheet, 48 x 33 cm
2015
ISBN 9788867492060
€ 10

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When invited to contribute to Peep-Hole Sheet, Peter Friedl decided to publish for the first time a selection of notes from his private diaries. Written between October 2014 and July 2015, these notes follow no chronological order and fall into no narrow thematic sphere, ranging freely between art, literature, history and current events. From Tolstoy to Pasolini and from Fascism to Islamic terrorism, the many annotations that make up “Images at War” from an intricate mosaic of reflections whose radical diversity conveys the complexity of his thinking, and of the critical, historical and political awareness that distinguishes it. The journalist from which these notes are drawn are part of a broader ongoing project titled The Diaries (1981-2015), recently presented at the 56th Venice Biennale and in the artist’s solo exhibition at Centre d’art contemporain – La Synagogue de Delme: a vast collection of diaries that Peter Friedl has been compiling for over 20 years, which shows how writing has always played a central role in his artistic practice.

Peter Friedl: Images at War. Peep-Hole Sheet #26

10.00

10.00Add to cart

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When invited to contribute to Peep-Hole Sheet, Peter Friedl decided to publish for the first time a selection of notes from his private diaries. Written between October 2014 and July 2015, these notes follow no chronological order and fall into no narrow thematic sphere, ranging freely between art, literature, history and current events. From Tolstoy to Pasolini and from Fascism to Islamic terrorism, the many annotations that make up “Images at War” from an intricate mosaic of reflections whose radical diversity conveys the complexity of his thinking, and of the critical, historical and political awareness that distinguishes it. The journalist from which these notes are drawn are part of a broader ongoing project titled The Diaries (1981-2015), recently presented at the 56th Venice Biennale and in the artist’s solo exhibition at Centre d’art contemporain – La Synagogue de Delme: a vast collection of diaries that Peter Friedl has been compiling for over 20 years, which shows how writing has always played a central role in his artistic practice.

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