Jennifer Guidi: Visible Light

2017
English
80 pages
Softcover, 24 x 29,8 cm
ISBN 9788867493180
€ 35

35.00Add to cart


Texts by Ilaria Bonacossa, Jennifer Guidi, Ali Subotnick

Produced for the first-ever solo museum exhibition by American artist Jennifer Guidi,
held at Museo d’Arte Contemporanea di Villa Croce in Genoa, Visible Light is a series of
paintings embodying a contemporary reinvention of the spiritual power of abstraction.
Using an absolutely personal technique involving sand on canvas and drawing on her
deep research into gesture and color, the artist creates two-dimensional sculptures in
which light and texture interpenetrate to create remarkable tonal effects and designs.
Guidi’s large canvases fill the rooms of the villa with saturated, spectral colors and
abstract compositions, evoking new forms of interaction between each vibrant tone and
the space it inhabits. The paintings emerge in an intuitive way, without any preliminary
design, simply by Guidi repeating the same gesture in an automatic manner, as in
embroidery or mandalas.

The publication presents a conversation between Jennifer Guidi and Ali Subotnick, a
critical text by Ilaria Bonacossa, and extensive visual documentation of the works on
view at Villa Croce.

Jennifer Guidi: Visible Light

35.00

35.00Add to cart

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Description

Produced for the first-ever solo museum exhibition by American artist Jennifer Guidi,
held at Museo d’Arte Contemporanea di Villa Croce in Genoa, Visible Light is a series of
paintings embodying a contemporary reinvention of the spiritual power of abstraction.
Using an absolutely personal technique involving sand on canvas and drawing on her
deep research into gesture and color, the artist creates two-dimensional sculptures in
which light and texture interpenetrate to create remarkable tonal effects and designs.
Guidi’s large canvases fill the rooms of the villa with saturated, spectral colors and
abstract compositions, evoking new forms of interaction between each vibrant tone and
the space it inhabits. The paintings emerge in an intuitive way, without any preliminary
design, simply by Guidi repeating the same gesture in an automatic manner, as in
embroidery or mandalas.

The publication presents a conversation between Jennifer Guidi and Ali Subotnick, a
critical text by Ilaria Bonacossa, and extensive visual documentation of the works on
view at Villa Croce.