MIKE KELLEY: MATERIALISTIC AESTHETICS AND MEMORY ILLUSIONS
PERRONE WORKS
VLADISLAV SHAPOVALOV: IMAGE DIPLOMACY
GIOVANNA SILVA: IMELDIFIC
FREDERIK VÆRSLEV: OPEN WINDOW
ABOUT
Mousse Publishing is an independent publishing house founded in 2006. Born as a spin-off of Mousse, the contemporary art magazine, Mousse Publishing was created to give every printed project originality, care, and respect. Mousse Publishing makes books with artists, writers, public and private institutions, galleries, and other art and cultural initiatives. Our focus is on artist monographs and artist books, conceived and created in concert with the artist. Mousse Publishing also releases online contents, printed ephemera, and artist editions.
A co-publication between the Samdani Art Foundation, Dhaka; Office for Contemporary Art Norway, Oslo; and Mousse Publishing, this 2-volume set is composed by two distinct […]
The book encloses a rich documentation on the design, construction and installation of 29,88 KMQ, a permanent work created by Liliana Moro for the seventh […]
Woven Worlds (Some Notes on a Work in Progress) describes the development of an exhibition project on which Simon Starling is currently at work, recounting […]
The Mask is a collaborative text born from the exchange and longstanding friendship between the artis Katrín Siguroardðttir and the poet Kristín Ómarsdóttir. Its form […]
A drivel is a short story written in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, […]
Invited to contribute to Peep-Hole Sheet, David Maljković decided to publish, for the first time, some excerpts of his notebooks. Written at various moments between […]
2020 English, Italian192 pages Softcover, 12 × 16 cm ISBN 9788867494293 € 22 / $ 25
Edited by Emilio Vavarella, Paolo Mele, Claudio Zecchi. Texts by Lorenzo Balbi, George Church, Francesco Giaquinto, Ellen Harlizius-Klück, Sabine Himmelsbach, Paolo Mele, Stephen Monteiro, Carla Petrocelli, Davide Quadrio, Ed Regis, Eugene Thacker, Emilio Vavarella, Devin Wangert, Ursula Wolz, Claudio Zecchi
The work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a large textile, was produced by his mother on one of the first modern computational machines: the jacquard loom. From weaving and programming, through the inner workings of algorithms, software, and automated machines, up to issues of gender and labor and the complete computerization of human beings, the project recapitulates symbolically the historical trajectory of binary technology. This book highlights and extends the scope of this artistic undertaking through a series of visual documents and theoretical inquires by fifteen thinkers and practitioners from the fields of art, philosophy, bioengineering, media theory, and the history of science and technology.
Edited by Emilio Vavarella, Paolo Mele, Claudio Zecchi. Texts by Lorenzo Balbi, George Church, Francesco Giaquinto, Ellen Harlizius-Klück, Sabine Himmelsbach, Paolo Mele, Stephen Monteiro, Carla Petrocelli, Davide Quadrio, Ed Regis, Eugene Thacker, Emilio Vavarella, Devin Wangert, Ursula Wolz, Claudio Zecchi
The work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella’s genetic code into a large textile, was produced by his mother on one of the first modern computational machines: the jacquard loom. From weaving and programming, through the inner workings of algorithms, software, and automated machines, up to issues of gender and labor and the complete computerization of human beings, the project recapitulates symbolically the historical trajectory of binary technology. This book highlights and extends the scope of this artistic undertaking through a series of visual documents and theoretical inquires by fifteen thinkers and practitioners from the fields of art, philosophy, bioengineering, media theory, and the history of science and technology.
The work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella’s genetic code into a large textile, was produced by his mother on one of the first modern computational machines: the jacquard loom. From weaving and programming, through the inner workings of algorithms, software, and automated machines, up to issues of gender and labor and the complete computerization of human beings, the project recapitulates symbolically the historical trajectory of binary technology. This book highlights and extends the scope of this artistic undertaking through a series of visual documents and theoretical inquires by fifteen thinkers and practitioners from the fields of art, philosophy, bioengineering, media theory, and the history of science and technology.
