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Serwan Baran: Fatherland. The Pavilion of Iraq —58th International Art Exhibition, La Biennale di Venezia

2019
English
63 pages
Softcover, 20 × 32 cm
ISBN: 9788867493760
€ 18 / $ 20

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Edited by Tamara Chalabi, Paolo Colombo, and Natasha Gasparian

Texts by Tamara Chalabi, Paolo Colombo, Natasha Gasparian, Abdul Amir Jaras, and Sargon Boulos

Fatherland explores the relationship between man and his homeland from the point of view of a soldier. It relates the trauma of several generations of men in Iraq, living first under a cruel dictatorship, which exploited them as mere cannon fodder, then enduring the aftereffects of this dictatorship, confrontation with and attack by the West, and later attack from within.”—Tamara Chalabi and Paolo Colombo

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.” Mixing curatorial texts by Tamara Chalabi and Natasha Gasparian with a series of poems and original letters from the 1980s written by Iraqi soldiers and collected by the artist during the years, Fatherland is both a reflective document that echoes Baran’s work and a commentary on the masculine and paternalistic dimension of the political culture in Iraq, a country dominated by men who have often enacted oppressive ideologies.

Serwan Baran: Fatherland. The Pavilion of Iraq —58th International Art Exhibition, La Biennale di Venezia

18.00

18.00Add to cart

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Fatherland explores the relationship between man and his homeland from the point of view of a soldier. It relates the trauma of several generations of men in Iraq, living first under a cruel dictatorship, which exploited them as mere cannon fodder, then enduring the aftereffects of this dictatorship, confrontation with and attack by the West, and later attack from within.”—Tamara Chalabi and Paolo Colombo

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.” Mixing curatorial texts by Tamara Chalabi and Natasha Gasparian with a series of poems and original letters from the 1980s written by Iraqi soldiers and collected by the artist during the years, Fatherland is both a reflective document that echoes Baran’s work and a commentary on the masculine and paternalistic dimension of the political culture in Iraq, a country dominated by men who have often enacted oppressive ideologies.