KRIS LEMSALU: BIRTH V: HI AND BY
SLAVS AND TATARS: CRACK UP – CRACK DOWN. 33RD LJUBLJANA BIENNIAL OF GRAPHIC ARTS
THAO NGUYEN PHAN: MONSOON MELODY
SITE READ: SEVEN CURATORS ON THEIR LANDMARK EXHIBITION
LARS FREDRIKSON
THE FLOOR IS UNEVEN. DOES IT SLOPE?
ETTORE SPALLETTI: OMBRE D’AZUR, TRANSPARENCE
VLADISLAV SHAPOVALOV: IMAGE DIPLOMACY
FREDERIK VÆRSLEV: OPEN WINDOW
SONIA LEIMER: VIA SAN GENNARO
NAAMAN TSABAR: (OPUS 1)
DISTRIBUTION
Ilaria Bombelli, Head of Publications
Isabella Zamboni, Publishing Editor
Guia Cortassa, Editorial Coordinator
Francesco Valtolina, Art Director
francesco@moussepublishing.com
Studio Mousse
Luigi Amato, Marcello Jacopo Biffi, Matteo Gualandris, Massimiliano Pace, Anita Poltronieri, Francesco Valtolina
Eleonora Gustapane
Mousse release editions by international artists.
A co-publication between the Samdani Art Foundation, Dhaka; Office for Contemporary Art Norway, Oslo; and Mousse Publishing, this 2-volume set is composed by two distinct […]
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The book encloses a rich documentation on the design, construction and installation of 29,88 KMQ, a permanent work created by Liliana Moro for the seventh […]
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Woven Worlds (Some Notes on a Work in Progress) describes the development of an exhibition project on which Simon Starling is currently at work, recounting […]
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The Mask is a collaborative text born from the exchange and longstanding friendship between the artis Katrín Siguroardðttir and the poet Kristín Ómarsdóttir. Its form […]
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A drivel is a short story written in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, […]
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Invited to contribute to Peep-Hole Sheet, David Maljković decided to publish, for the first time, some excerpts of his notebooks. Written at various moments between […]
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Details from Heaven and Hell is the new chapter of Matt Mullican’s cosmology, whose first models dates from 1973, and has evolved over the years […]
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In Ten Fundamental Questions of Curating ten distinguished contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition […]
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A Landscape of Time was originally conceived as a talk given in 2012 at Dia Art Foundation as part of their “Artists on Artists” program, […]
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Letters From Japan consists of a selection from a series of letters written by Christodoulos Panayiotou during a stay in Japan, where he lived for […]
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English
24.5 x 20 cm
ISBN 9788896501566
€ 25.00
Published for the "Post Parallelism" exhibition at Kunst Halle Sankt Gallen, "Bored at the Museum, Bored at the Studio" is a two-way book in which Navid Nuur has collected a hundred images found on the Internet, depicting the "creative boredom" that often seizes visitors to traditional museum spaces: a phenomenon well-described by Giovanni Carmine in the introductory text "To Be, or Not to Be (Bored)".
208 pages
English
24.5 x 20 cm
ISBN 9788896501566
€ 25.00
Published for the “Post Parallelism” exhibition at Kunst Halle Sankt Gallen, “Bored at the Museum, Bored at the Studio” is a two-way book in which Navid Nuur has collected a hundred images found on the Internet, depicting the “creative boredom” that often seizes visitors to traditional museum spaces: a phenomenon well-described by Giovanni Carmine in the introductory text “To Be, or Not to Be (Bored)”.
€25.00
Published for the “Post Parallelism” exhibition at Kunst Halle Sankt Gallen, “Bored at the Museum, Bored at the Studio” is a two-way book in which Navid Nuur has collected a hundred images found on the Internet, depicting the “creative boredom” that often seizes visitors to traditional museum spaces: a phenomenon well-described by Giovanni Carmine in the introductory text “To Be, or Not to Be (Bored)”.
| Weight | 1 kg |
|---|---|
| forder: | |
| info: |
Sub-Total €400.00
