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UPCOMING

 

 

 

MICHAEL E. SMITH

 

PAMELA ROSENKRANZ: ALIEN CULTURE

 

THINGS WE DO TOGETHER: THE POST-READER

 

ERLING KAGGE: WALKING. MOVEMENTS NORTH OF BOLZANO

 

LAURENT MONTARON

 

MARTÍN SOTO CLIMÉNT

 

ABOUT
Mousse Publishing is an independent publishing house founded in 2006. Born as a spin-off of Mousse, the contemporary art magazine, Mousse Publishing was created to give every printed project originality, care, and respect. Mousse Publishing makes books with artists, writers, public and private institutions, galleries, and other art and cultural initiatives. Our focus is on artist monographs and artist books, conceived and created in concert with the artist. Mousse Publishing also releases online contents, printed ephemera, and artist editions.

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DAP – Distributed Art Publishers
Les presses du réel
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CONTACT

 


Ilaria Bombelli, Head of Publications

ilaria@moussepublishing.com

Antonio Scoccimarro, Publishing Editor

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Isabella Zamboni, Publishing Editor

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Vittoria Mieli, Editorial Coordinator

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Francesco Valtolina, Art Director

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Anna Azzali, Marcello Jacopo Biffi, Matteo Gualandris, Massimiliano Pace, Francesco Valtolina

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EDITIONS

Mousse release editions by international artists.

EDITIONS

Mousse release editions by international artists.

Fredrik Værslev

€100.00
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David Maljkovic: Untitled

€300.00
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Zin Taylor: Living systems, narrative haze (a sequence of palm trees obscured by the fog)

€300.00
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Philippe Decrauzat: Not Built

€250.00
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Jonathan Monk: White Square With Piece Missing

€300.00
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1 Million Roses for Angela Dav...

€27.00
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Mike Kelley: Materialist Aesth...

€22.00
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Performance Works

€25.00
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LIMITED AVAILABILITY

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Plasticity of the Planet: On E...

€25.00
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Can plastic planetarism replace neoliberal globalization? This publication is informed by Catherine Malabou’s conception of destructive plasticity—an irreversible destruction of form that makes it possible […]

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Matt Mullican: Details from He...

€10.00
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Details from Heaven and Hell is the new chapter of Matt Mullican’s cosmology, whose first models dates from 1973, and has evolved over the years […]

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Alejandro Cesarco: Peep-Hole S...

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A Landscape of Time was originally conceived as a talk given in 2012 at Dia Art Foundation as part of their “Artists on Artists” program, […]

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Christodoulos Panayiotou: Peep...

€10.00
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Letters From Japan consists of a selection from a series of letters written by Christodoulos Panayiotou during a stay in Japan, where he lived for […]

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Reversibility: A Theatre Of De...

€25.00
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“Reversibility: A Theatre of De-Creation was inspired by a traumatic event that took place in 2008: the destruction of a work by David Lamelas, Projection […]

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Nick Mauss: Whose Sleeves? Pee...

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Whose Sleeves? takes off from the experience of a visit made by Nick Mauss to the storage facilities of the Walker Art Center in Minneapolis, […]

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Momentum Reader: Imagine Being...

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This book is the first of two volumes published for the exhibition “Imagine Being Here Now”, the 6th Momentum Biennial, held in Moss, Norway. Writers, […]

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Julian Charrière: Future Fossil Spaces

200 pages
English / French
Hardcover, 16,5 x 23, 5 cm
ISBN 9788867491063
€ 25

Nicole Schweizer, ed.
Texts by Amelia Barikin, Rebecca Lamarche-Vadel, Nadim Julien Samman, Nicole Schweizer

Whether creating innovative topographies of his native country and adopted homeland using bacteria in constant evolution, or Babel-like towers that are gradually coated with organic motifs obtained through decomposition of samples taken from nine great rivers of the world, Julian Charrière studies the effect of time, its relationship with space and matter, and the various ways we perceive it. What he calls “the geology of History” “Future Fossil Spaces”, the exhibition devised for the Musée cantonal des Beaux-Arts de Lausanne which is the occasion for this book, brings together works for which Julian Charrière traveled to Iceland, Kazakhstan, the Atacama Desert (Chile) and Argentina. The exhibition title evokes The Blue Fossil Entropic Stories, the result of an expedition carried out in 2013 in which the artist climbed an iceberg in the Arctic Ocean and attempted to melt the ice under his feet using a blowtorch for over eight hours. The fossils mentioned in the title do not refer to traces of animal or plant life found in rocks, but to the Latin etymology of the word, which translates literally as “obtained from digging”, the action of the artist consisting therefore in proposing, in the present of the exhibition space, works that are in dialectical tension between the two arrows of time, one pointing to the past and the other towards the future.

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Home / Product / Julian Charrière: Future Fossil Spaces

Julian Charrière: Future Fossil Spaces

200 pages
English / French
Hardcover, 16,5 x 23, 5 cm
ISBN 9788867491063
€ 25

€25.00Read more


Nicole Schweizer, ed.
Texts by Amelia Barikin, Rebecca Lamarche-Vadel, Nadim Julien Samman, Nicole Schweizer

Whether creating innovative topographies of his native country and adopted homeland using bacteria in constant evolution, or Babel-like towers that are gradually coated with organic motifs obtained through decomposition of samples taken from nine great rivers of the world, Julian Charrière studies the effect of time, its relationship with space and matter, and the various ways we perceive it. What he calls “the geology of History”
“Future Fossil Spaces”, the exhibition devised for the Musée cantonal des Beaux-Arts de Lausanne which is the occasion for this book, brings together works for which Julian Charrière traveled to Iceland, Kazakhstan, the Atacama Desert (Chile) and Argentina. The exhibition title evokes The Blue Fossil Entropic Stories, the result of an expedition carried out in 2013 in which the artist climbed an iceberg in the Arctic Ocean and attempted to melt the ice under his feet using a blowtorch for over eight hours. The fossils mentioned in the title do not refer to traces of animal or plant life found in rocks, but to the Latin etymology of the word, which translates literally as “obtained from digging”, the action of the artist consisting therefore in proposing, in the present of the exhibition space, works that are in dialectical tension between the two arrows of time, one pointing to the past and the other towards the future.

Julian Charrière: Future Fossil Spaces

€25.00

Out of stock

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Description

Whether creating innovative topographies of his native country and adopted homeland using bacteria in constant evolution, or Babel-like towers that are gradually coated with organic motifs obtained through decomposition of samples taken from nine great rivers of the world, Julian Charrière studies the effect of time, its relationship with space and matter, and the various ways we perceive it. What he calls “the geology of History”
“Future Fossil Spaces”, the exhibition devised for the Musée cantonal des Beaux-Arts de Lausanne which is the occasion for this book, brings together works for which Julian Charrière traveled to Iceland, Kazakhstan, the Atacama Desert (Chile) and Argentina. The exhibition title evokes The Blue Fossil Entropic Stories, the result of an expedition carried out in 2013 in which the artist climbed an iceberg in the Arctic Ocean and attempted to melt the ice under his feet using a blowtorch for over eight hours. The fossils mentioned in the title do not refer to traces of animal or plant life found in rocks, but to the Latin etymology of the word, which translates literally as “obtained from digging”, the action of the artist consisting therefore in proposing, in the present of the exhibition space, works that are in dialectical tension between the two arrows of time, one pointing to the past and the other towards the future.

Additional information

Weight 0.5 kg
Autori:

Nicole Schweizer, ed. Texts by Amelia Barikin, Rebecca Lamarche-Vadel, Nadim Julien Samman, Nicole Schweizer

forder:

171

info:

200 pages English / French Hardcover, 16,5 x 23, 5 cm ISBN 9788867491063 € 25

Testo iniziale:

Whether creating innovative topographies of his native country and adopted homeland using bacteria in constant evolution, or Babel-like towers that are gradually coated with organic motifs obtained t

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